As I’ve analyzed my songs on the lattice, and written new music using it as a tool, I have found that I have a certain palette of notes in my mind, a territory of the lattice that I can hear and think with. The notes in this portion are distinct individuals for me. Each one…
Yesterday, I described a simple way to hear, and more importantly, feel, the difference between equal temperament and just intonation, by singing Frère Jacques over an open G chord with ET major thirds, and then over a G chord that has only roots and fifths in it. The second half of the experiment is called singing over…
The familiar 12-note scale is also called the chromatic scale. There are many ways to generate an untempered version of such a scale. The oldest way seems to be Pythagorean tuning. When you multiply a frequency by 3, you get a new note, an octave plus a fifth above. Multiply by 3 again, and you get…
In harmonic space, the clearest name for each note is its ratio — 5/3, 3/2, 4/3, etc. Precise and unambiguous. But the ratios don’t give a very good idea of how to go about playing or singing those notes. There are a few instruments, such as the left hand keyboard on the accordion, that are…
Throughout my musical education, I’ve been taught that music happens in a linear space. This is the space so beautifully laid out on the piano keyboard. Music teaching is organized around scales. In most Western music, the full scale consists of twelve notes, equally spaced. Other scales, such as the seven-note minor and major scales,…
Every prime number generates a new musical universe. Prime numbers are numbers, greater than one, that can only be evenly divided by themselves and 1. All other numbers are composite — that is, they can be made by multiplying two or more primes. 1) Multiplying by 1 does nothing. 1 is a singularity, the universe before the…
The notes 1, 2, 3, 4, 5, 6 and 7, clustered at the center of the lattice, constitute a major scale. This tuning uses the smallest ratios (the ones with the lowest numbers) available for each position in the scale. It goes back at least to Ptolemy in the 100’s AD. I find it visually…
The harmonic lattice can be divided into four quadrants. Northeast is pure overtonal energy. All these notes are reached by multiplication alone. Powers of 3 and 5 are in the numerators, and the denominators are all powers of 2. Southwest is pure reciprocal energy. You get there by dividing. All the 3’s and 5’s are…
The tonic is the center of the lattice. A drone note on the tonic establishes the center of that particular musical universe. Adding a major third and a perfect fifth (5/4 and 3/2) further reinforces the center and starts to carve out some territory on the map. This is the tonic major chord: In my…
I’ve added a new recording to the Audio page. It’s the first time I’ve consciously written a song using the lattice. The chord progression is especially influenced by how it appears visually. I was moving colored bits of glass around throughout the process, aiming for beauty, tension and resolution. The music tells a small story, of…