I just passed the 10,000 photo mark on the stop motion animations, good thing I’m not hand-drawing them like Winsor McCay! The one I’m working on, Real Girl, has a lot of dissonant notes in it. The melody ranges far from the roots and makes some slightly dizzying harmonic jumps. I want to use it…
The chorus of Be Love is solidly in major territory. The chords are I, V, IV, the classic backbone chords of the major scale. The verse, however, is going to be back in the Northwest — I, bVII-, IV. I have to get back over there somehow, and I want to lead the ear strongly so…
The V chord, the major chord based on the 5, is a powerful compositional tool. It points, very clearly and with a lot of tension, directly at the tonic. If you want to lead the ear to the I, the V chord is the top-of-the-line triad. Why this is so is still a bit mysterious…
After two years of working mostly with existing material, I’m happy to be writing songs again. This one took me over completely for a few days, and then I spent another couple of weeks recording it and animating it on the lattice. Be Love is a simpler song than Flying Dream, and I think it…
A cadence is a chord progression that gives a sense of arrival or resolution. One particular cadence, the V-I (or V7-I) is especially powerful. In classical music, a V-I cadence is practically mandatory at the end of a piece, and it is the biggest gun in the composer’s arsenal when changing keys, or modulating. The following…
I believe that the great driving force in tonal music, that creates the drama and story of the music itself (independently of any lyrics), is the longing for home. Home is the tonic. If a song is in the key of A, all the A’s in their various octaves will sound like home. Although there are…