Untempered Vs. Tempered

I’ve been listening to yesterday’s chord progression showing off the b7. I think it offers an excellent opportunity to hear the difference between equal temperament and just intonation. Equal temperament works by implying or evoking a note rather than playing it exactly. There are dozens of singable notes per octave; ET represents them all with just…

|

Octave Reduction

Doubling the frequency of a note certainly changes it. The ear hears a higher-pitched note. But there is something in the essence of the note that does not change, a character that stays consistent through the octaves. This allows a process called octave reduction. When you’re working with notes as ratios, it’s convenient to multiply or…

Between the Keys

I grew up thinking that music was made with a particular set of twelve notes, the ones on the piano keyboard. I had a vague sense that there were other scales in the world, but I thought of them as “more primitive” or perhaps subsets of the 12-tone scale, like that pseudo-Asian music you make…

|

The Tonic

The heart of the lattice is the note called 1. This note is the tonic. Almost all the music you hear — pop, rock, classical — has one note that is at the center, a master note against which all other notes are measured. That note is the tonic. It’s the Do of Do Re Mi….

|

Notes and Intervals

A note, in music, is a sound with a particular pitch. Pitch is frequency, measured in cycles per second, or Hertz (Hz). The faster the vibration, the higher the pitch. A vibration, at, say, 220 Hz, all by itself is a note by that general definition. But the note doesn’t acquire its distinct personality until it’s…

|

Beauty is Truth

It may be Keats’ most famous pair of lines: ‘Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.’ I believe he’s right on the money. I think that when we experience beauty, it’s because we have seen a little deeper into the nature of things. This seems…